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My First Definition

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   The First Definition:   Starting with a base curve in Rhino, I created a series of control points and connected them with lines. This will serve as the foundation for generating a more complex shape in Grasshopper.    I applied a script to generate multiple curves from a single input. This helps in creating structured variations that can later be transformed into surfaces. Adding more control points and connections to the base curve, Grasshopper is now defining relationships between the points to create a structured form.    Experimenting with parametric design, I generated a series of arched lines that follow the initial curve. These will help define the overall structure of the model.   The wireframe model is becoming more complex as Grasshopper generates additional connections.   A refined version of the structured grid, showing how Grasshopper manipulates data to create dynamic shapes. Adjusting parameters allows for different variatio...
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Non Linear FDM Toolpath

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 This is the base pattern I designed in Rhino — a series of overlapping curves inspired by organic repetition. It started from a simple idea, but seeing it build up visually was exciting. This became the foundation for the whole piece. I used Grasshopper to control all the variables for generating the toolpath — here you can see one of the sliders I created to set the Z clearance. This helped define the height between each pass of the print head. This is the simulated toolpath — basically what the 3D printer will follow. It was interesting to see how clean or messy this could get depending on how the curves overlapped or how I sorted the paths. I generated the G-code directly in Grasshopper. It includes commands for setting units, homing the printer, and each extrusion point. Writing it this way gave me full control over how the printer interprets my design. The first layers being printed on the Prusa. This moment always feels satisfying — seeing the digital sketch actually come to...
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 CNC Machine Drawing     I started this project by sketching a series of organic shapes directly in Rhino. My goal was to create a flowing, biomorphic composition that felt almost like a topographic map or a cellular structure.  Then I jumped into Grasshopper to generate the toolpaths. This part involved tweaking settings like Z-clearance, XY resolution, and feed rate. I also used logic to sort curves and skip ones that were too short to make a clean drawing and streamed the gcode. Finally, I exported the toolpath into G-code using Grasshopper. This text file tells the CNC machine exactly where to move and when to lift or lower the pen. Once this was ready , I took it to the CNC machine to bring the design to life on paper. Once the G-code was ready, I moved over to the CNC computer. I used AvidCNC’s interface to import the toolpath and verify that the drawing aligned correctly with the paper dimensions. With the machine zeroed and the pen lightly touching the paper,...
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